
The VFX part was pretty invisible (so it was good). Did a lot of small matte paintings, greenscreen composites (as they used the elevator up to the mountain). It was also one of the first uses of our "Aurora" weather extension workflow, we developed over the years and projects. I will never forget the discussion with Michael Hammon about how a nearby lightning hit looks like. Funnily enough they we're shooting in 2000 metres height, as a real lightning went down just 200 metres beside them. So after that real life experience we exactly knew, how it looks like. You can see the result in your repertory cinema next door.
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